From about the mid-18th century, when plaster casts of antique sculpture became more widely available, antique gems also began to be copied in plaster and other materials. While there had long been an interest in classical antiquity, the arrival of the Elgin marbles in London, and their display at the British Museum from 1816, opened up new markets for plaster casts as museums and academies in Britain and on the Continent began to develop more comprehensive cast collections for teaching purposes and for wider display, as will be discussed in more detail in section 4 below. On arriving at Chambery, the artist, or the captain of this company would set to work, despatching his boys through the city and the little towns and villages in the neighbourhood, to sell the figures which he had rapidly made. The cast was purchased by The Metropolitan … The focus of the South Kensington Museum from the mid-1850s was on obtaining plaster casts and electrotypes of European mediaeval and renaissance works of art and monuments. Robert Shout’s broadside catalogue (detail), c.1800-3 (National Portrait Gallery Library). The sherd and squeeze collections may be of more interest to academic researchers but these databases make our collections accessible to all. When I started my online activities in the field of classical art, I offered my own Plaster Casts for Cast Drawing at a reasonable price at www.cast-drawing.com, as the market only offered expensive goods from real sculptors.People were happy to accept my Plaster Casts, because it was exactly what they needed to learn drawing from plaster casts. In London directories, ‘plaster cast figure makers’ of apparently Italian origin, already common at the beginning of the 19th century, dominated as the century progressed (as analysed by Peter Malone). After all, it was meant to serve as a reference once or maybe twice and not as a decorative object for home. Cast-Drawing.com – Based in Germany, this is where I ordered my first cast … Very Fine. Casts from both institutions eventually came to the Victoria and Albert Museum, from the former in 1916 and from the latter, in smaller numbers, following the disastrous Crystal Palace fire in 1936. The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. It was also a time when the demand for bronze statues was growing as a result of the desire to commemorate the wartime heroes and political leaders of the day through public statues and church monuments. John Thomas Smith’s etching, Very Fine. Very Cheap, etching by John Thomas Smith, published 1815, from his Etchings of Remarkable Beggars, Itinerant Traders and other Persons (National Portrait Gallery). The sculptor, Joseph Bonomi the Younger, cast reliefs for Robert Hay in the Valley of the Kings, Egypt, 1824-34, while Lorenzo Giuntini worked in Central America for Alfred Maudsley in 1883 and 1885 and in Persia for Herbert Weld in 1892. The database depends on Kurtz's Reception of Classical Art in Britain, an Oxford story of plaster casts … Sir Thomas Lawrence’s Private Sitting Room (fig.4) was ornamented with an array of classical and other casts. Plaster casts, generally in the form of classical figures, were used as elegant supports for interior lighting, a trade which reached its height in the early 19th century. In 1843 Antonio Caproni of 97 Gray’s Inn Lane was accused of retailing an indecent cast of a naked female figure in the street. In the event, the Victoria and Albert Museum did take on Brucciani’s cast making business from 1921, renaming it the Department for the Sale of Casts while retaining the same manager, Paul Ryan. This page is intended as a source of information for art students who want to learn classical painting. In photographs such as 'The Faun' (2007), the London based Liane Lang emphasizes the sensuous potential of plaster casts after classical nudes, as well as their lifelessness by staging them together with life-like reproductions of human limbs made of latex, wax, silicon, or rubber, that disturb the viewer as they appear … The best documented of such moulders is Fernando Meacci, who was one of three plaster workers, along with Ferdinando Lucchesi and T. Millon, recommended to students by the sculptor E. Roscoe Mullins in 1889. Brucciani’s appointment to the South Kensington Museum was followed by his selection as formatore to the British Museum in 1857, following William Pink’s death. In the 1841 census, another maker, Dominic Cardosi, age given as 35, was listed in Gray’s Inn Lane heading a crowded lodging house of 14 men and boys, ages from 40 to 15, all listed as figure makers. On our sites, advertisements and links to the Amazon.com site are integrated through Amazon, where we can earn money through reimbursement of advertising costs. Other moulders of Italian origin returned to the land of their birth. In 1958 when Hepworth wished to make casts of her earlier work, she turned to Mancini for the essential moulds, leaving him initially horrified by the complexity of casting her work but which he managed using a forty-piece mould. This trade began in about 1820 and was extremely popular for several decades. Of Flaxman, it was said that he had ‘kept a large shop in the Strand, for the sale of plaster figures, which was not then so hackneyed a trade, as it has now become by the large importation of Italians’ (Gentleman’s Magazine, vol. Classic Plaster Moulds are proud to display our extensive range of ceiling roses that span 35 years in the trade. Domenico Brucciani’s invoice for moulding and reproducing the tomb effigy of Robert, Duke of Normandy in Gloucester Cathedral, 1875 (National Portrait Gallery records, Duplicates of Accounts). Plaster Casts (900 plaster casts of classical sculpture in the Ashmolean Museum) The Plaster Casts database is a legacy database created as part of an EU R&D project in telecommunications in 1994. One or two men, experienced in casting figures in moulds, would collect a number of poor boys, of whom they would become the captains. in association … Showing his collection of classical plaster casts and modern marble busts. A nice selection of plaster casts of the human form, as well as plaster geometric shapes. The sight of itinerant figure sellers inspired several Victorian paintings, including James Collinson's Italian Image Boys at a roadside Ale House, 1849, and William McTaggart's Following the Fine Arts, 1874, as well as popular printed images (see Journal of the History of Collections, vol.3, no.2, 1991, pp.283-4). Many of the casts from these expeditions came to the British Museum. Waterproof Cast/ Plaster Protector #1 . These appointments probably gave him the resources and incentive to open his splendid Galleria delle Belle Arti in Russell St in 1864. Orders from Plymouth, Liverpool, Bristol and elsewhere followed. The links between Italian figure-making families who settled in England could be close, with marriages between families, Giovanni Franchi to Mary Sarti in 1831, Raffaello Sani to Emilia Caproni in 1861 and Enrico Cantoni to Florence Landi in 1888, and premises passing from one hand to another, so that we find No.1 Leather Lane occupied by Vincent Merchitti by 1837, Giovanni Graziani by 1850, who went into partnership with Domenico Brucciani, and by Daniele Landi in 1880, who remained in possession until 1902. Fig. We might also wonder how the change in medium, from marble or bronze to plaster, alters how we feel about that sculpture. The market for plaster figures reached its height in the 19th century. Such private collections, however, remained modest and uncommon until the 18th century. Ceiling roses provide a decorative … Read … They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Many of these men and boys will have been on lengthy fixed-term contracts, of as much as three years, under which they were paid a bonus on completion, leading to occasional abuse of the system whereby they were harassed towards the end of their contract to the point that some left in desperation, losing their wages and their bonus (see Lucio Sponza, Italian Immigrants in Nineteenth-Century Britain: Realities and Images, 1988, pp.76, 78). There were other aspects to the trade. Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. National Portrait Gallery, St Martin's Place, London, WC2H 0HESwitchboard: +44 (0) 20 7306 0055, Find out more about the Inspiring People project, National Portrait Gallery, St Martin's Place, London, WC2H 0HE Switchboard: +44 (0) 20 7306 0055, We are currently closed until spring 2023, while essential building works take place, 1. The younger generation of English-born makers, with a few exceptions such as Robert Shout, did not play such a significant part in the popular market and diversified into related trades as did James Cockaine, James De Ville, Humphrey Hopper and William Pink. Some expeditions further afield were privately financed. In the early 19th century, Italian figure makers began to come to Britain in increasing numbers to produce ornaments for town and country houses and to sell cheap plaster figures as an itinerant trade. Fig.3. Such casts could serve a practical purpose for artists. Such figures were used to ornament interiors from the grandest country houses to the most ordinary homes. Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. plaster cast for 0.0 Check out my other items!WHY NOT CHECK OUT THE OTHER ITEMS IN MY SHOP MANY FINE EXAMPLES UP FOR GRABSAS OTHERWISE STATED IN ITEM … These most often are anatomical plaster casts. Our Collection. In his 1968 autobiography, Wheeler gives a graphic description of ‘Charlie Smith’, whom he described as ‘a big man, slow of gait and with a high-pitched voice’. Every subscriber receives the free eBook „Drawing From Plaster Casts“ which also contains printable paper model nets for geometric objects to practise from. Print your own Munsell Color Reference Charts at home on your desktop inkjet printer! Bartholomew Papera would carry ‘new things round to artists in baskets’, according to John Thomas Smith, who tells how Joseph Nollekens welcomed the opportunity to inspect such novelties although, on one occasion, he bridled when Papera named a rival, John Deare as the modeller. Four figure makers, Brucciani, a Mr Caproni, a Mr Sacchi and a Mr Ambrosi were each asked to make a mould of a certain relief. Make sure you order the plain white finish. These itinerants sought not to settle in England but to return home with enough money to become owners of a house and a little land in the immediate neighbourhood of the villages where they were born. He identified the importance of the Act of Parliament passed in 1798 relating to ‘Making New Models and Casts of Busts’, a form of copyright which conferred exclusive rights for 14 years on persons who created new models or casts of human or animal figures if marked with publication details. For more details on bronze founders, see Bronze sculpture founders: a short history. The number of Italian figure makers in and around 'Little Italy' and in the wider Holborn area, peaked in the early 1860s, judging from census records, as the third largest trade undertaken by Italians in the area, after street musicians and picture framemakers (Lucio Sponza, Italian Immigrants in Nineteenth-Century Britain: Realities and Images, 1988, p.328). Admiral Lord Nelson, plaster cast by Dominic Cardosi, 1830s or later, from bust by Franz Thaller and Matthias Ranson, 1801) (National Portrait Gallery). They would cross the Apennines and the Alps, marching in a little corps of twelve or fifteen. But after a few years I stopped selling my own Plaster Casts and put affiliate offers from Amazon on my website, where I earned a small commission. All about the academic Cast Drawing – The best resources, How the ateliers teach you to paint like the Old Masters. When I started my online activities in the field of classical art, I offered my own Plaster Casts for Cast Drawing at a reasonable price at www.cast-drawing.com, as the market only offered expensive goods from real sculptors. This is the Museum of Classical Archaeology Collections online database of the plaster cast, pottery sherd and paper squeeze collections. At this time Meacci was calling himself a piece moulder and figure maker on his invoice paper. In the second half of the 19th century, London institutions and museums were actively building collections of  casts of architectural details and of works of art, as well as of fixed monumental work, both from Britain and abroad. Fine Arts!!’). Clifford saw the great boom in plaster shops as dwindling and collapsing in the 1830s but it is now clear that while the market for figures for lighting and furniture declined, there was a growing interest in collecting plaster casts for museums and academies, as well as a taste for more modest figures in ordinary homes. Another figure maker, Raffaello Sani set up temporarily in Portsea, advertising a fine collection of Italian sculpture and alabaster carvings in the Hampshire Telegraph in 1869. The casts at the University of Edinburgh were acquired at the end of the 19th century as a teaching collection to illustrate Classical art history. 1. These modules will cover proportion, shape, angles, values and mass starting with Bargue drawing studies (2D - 2D) and progressing onto chiaroscuro techniques from simple classical plaster casts (3D - 2D). He worked extensively for Edward Onslow Ford and Alfred Gilbert in the late 1880s and early 1890s, until his death in London in 1893, age 56. They were competing against an influx of Italian figure makers. The more established makers would advertise in the press and elsewhere and might focus on the trade in casts and reproductions for museums, professionals and schools of art. This development was a matter of comment at the time. John Baptist Giannelli was in London by 1777, Anthony Sartini by 1785, Bartholomew Papera by about 1789 and Ambrose Pelligrini by 1790. These figure makers left ‘Little Italy' and Clerkenwell to follow the sculptors, whether to Chelsea, Fulham or St John's Wood. A generation later, during the First World War, Brucciani & Co Ltd ran into financial difficulties as the museum and school of art markets declined. Sculptors’ moulders became a specialist branch of plaster figure working, producing piece and waste moulds, gelatine moulds and plaster and wax casts, so necessary in the production of bronze sculpture. Very Cheap (fig.3), shows how well-established this street trade had become in the public imagination by the time of its publication in 1815. In a remarkable account, the story was told of Italian plaster figure makers, from the mountains north of Lucca, journeying across Europe, to France, Germany and even to Russia (‘Wandering Italians’, Penny Magazine, 2 February 1833, no.54, p.42, accessible on Google Book Search). He would arrive ‘carrying a large white enamelled bowl (for mixing Plaster of Paris), a roll of scrim (for reinforcing the plaster) and a collection of odd lengths of iron rods (for bracing the moulds)… He would have come to Chelsea, with all this paraphernalia, from Camden Town…. Evidence for migrant groups of plaster figure makers in Britain comes through the official ‘Returns of Aliens Passengers’, recording foreigners landing in Britain and through the 10 yearly census returns. Another specialist side of the plaster trade was the supply of phrenological heads for phrenology, the study of human conduct through the measurement of the skull. The operators of the page participate in the Amazon partner program. Several historic cast collections survive more or less intact: that of Sir John Soane at Soane’s Museum put together in the late 18th and early 19th centuries (www.soane.org/collections_legacy/casts/), the later 19th-century collection of plasters casts and electrotypes at the Victoria and Albert Museum (Cast Collection - Victoria and Albert Museum), the cast collections at the Royal Academy, begun after the Academy’s foundation in 1768 and continued into the early 20th century, the Edinburgh cast collection at Edinburgh College of Art, including part of the late 18th and early 19th-century collections of the former Trustees’ Academy and the Oxford University collection of classical casts, largely at the Ashmolean Museum, much of which was assembled from 1887 (www.beazley.ox.ac.uk/sculpture/plastercasts/cast). William Blake, plaster cast of head by James De Ville, published 1823 (National Portrait Gallery). Plaster Cast Interiors – There’s a wide range of weird and wonderful plaster casts available here. The privileged position of sculpture in the study of classical antiquity, strong from association with classical texts was strengthened further during the second half of the 19th century by the remarkable discoveries of originals in Greece. Once the market had been exhausted, the master would send his moulds and tools to Geneva, and follow on foot with his troop, each of whom would carry a few figures to sell at towns and villages on the road. He is able to see the form better while looking at a monochrome reference. Remember that the code is only valid until 30. Let us examine the structure of the trade in more detail. Best value for money. The collection of the Museum of Classical Archaeology ranges from the largest of sculptures to the smallest of artefacts. The Caproni Collection produces and sells plaster reproductions of famous sculptures. The special boxes seen below were made by the Dresden antiquary P.D. I bought this for £28 and used it a couple of this is a model of a road over rail bridge by s d mouldings now rare. Sir Thomas Lawrence’s Private Sitting Room, aquatintpublished 1830 (National Portrait Gallery). We can design and produce to a high-quality standard, offering an extensive range of choice and diversity to ensure the provide the right product for the right style of room. By 1842, the Museum was offering a service to despatch casts to any part of the world (Synopsis of the contents of the British Museum, 1842, p.258, accessible through Google Book Search). The use of plaster casts in the early 19th century 3. This burst of activity in collecting casts in London and elsewhere led the South Kensington Museum to draw up an 'International Convention of promoting universally Reproductions of Works of Art', which was signed in 1867 by fifteen European princes, to encourage the exchange of copies of 'the finest works of art which each country possesses' (see The Cast Courts - Victoria and Albert Museum). The Gallery holds the most extensive collection of portraits in the world. Europe. Suppliers included Peter Chenu, James De Ville, the Giannelli family, Francis Hardenberg, Humphrey Hopper, the Papera family and Robert Shout. April 2020. Antonio Stoanbi, age 56, appears in the 1881 census as a hawker in plaster figures in Raffaello Sani’s household in Gray’s Inn Road. Antonio and Louis Caproni would also promote their wares to a professional market, advertising as moulders and figure makers, offering figures for lights and gardens, figures painted and bronzed, masks taken from the living and the dead, adding ‘Casts taken from Gelatina’ (Blower's architect's, surveyor's, engineer's and builder's directory, 1860). Articles explore the functions, status and reception of plaster casts … It would seem that they preferred to use the Italian term to distinguish their craftsman, whether Italian or not, from the common plaster figure makers of the streets of London. This account takes up where Timothy Clifford’s essay, The Plaster Shops of the Rococo and Neo-Classical Era in Britain leaves off (Clifford 1992). In 1858 a court case against a master, Luigi Caproni, was dismissed concerning the wages of Mansueto Mei, a plaster figure maker who had left him after 20 months of a 30-month contract to make images. Discovery, reception and diffusion of classical art - Sculpture - The Classical Art Research Centre and The Beazley Archive - The University of Oxford The leading English figure makers of the late 18th century were in retreat: John Cheere died in 1787, James Hoskins in 1791, William Collins in 1793, Charles Harris in 1795, Richard Parker in 1799 and John Flaxman senior in 1803. But even this reduced business foundered in the 1950s at the nadir of the taste for plaster casts. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day. Such figure makers, their occupation given as figure maker or as ‘figurista’ in the vernacular, would travel from France, usually in April, May or June, at the beginning of the summer season. Fig.5. Most of the Italians came from a cast … Fig.6. However, the products listed on Amazon were not always and in every country available. Meet Cynthia Plaster Caster, The Groupie Who Made Molds Out Of Rock Music’s Most Famous Penises For decades, Cynthia Plaster Caster tracked down legendary rock stars and made plaster molds of their penises. It appears that such itinerant figure makers only began to come to England in large numbers following the fall of Napoleon. [photo: View of Melbourne’s casts in 1872 (1 of 2 albumen silver photographs): detail (SLV H96.160/1789)] Introduction to Melbourne’s plaster cast collection The production of replicas of famous statues, already widespread in the ancient Roman period, grew in popularity and accessibility after 1850, with the availability of cheaper, good quality plaster casts… t: 020 7223 2360 e: [email protected] Lavender Hill Colours ® 146, Battersea Business Centre 99-109 Lavender Hill London SW11 5QL In December 1850, Antonio and Luigi Caproni announced in the Newcastle Courant that Luigi Caproni had taken a show room in the Collingwood Inn in Newcastle to exhibit his splendid collection of statuettes, suitable for the artist or for ornament (the advertisement is headed, ‘Fine Arts! Human form, as well as plaster geometric shapes history of collecting, curators, conservators, and... This development was a very Old one result, many 19th-century plaster figures have been used one! While looking at a monochrome reference robert Shout ’ s broadside catalogue ( detail ), (. €“ There’s a wide range of weird and wonderful plaster casts could serve a practical purpose artists! Reference once or maybe twice and not as a reference once or twice. From marble or bronze to plaster, alters how we feel about that sculpture ] 21 February 2011,. Cultivate a general competency for realistic drawing plaster cast interiors – There’s wide! Papera by about 1789 and Ambrose Pelligrini by 1790 white so there is no distracting. Selection of plaster figures reached its height in the trade, C. Smith & Sons from... Which could be transported over all or part of their birth one form or another for.. Search over 215,000 works, 150,000 of which are illustrated from the of... 16Th century to the land of their birth reached its height in the atelier tradition him the resources and to! Plaster is white so there is no color distracting the student the teach... All or part of their birth 300 plaster figures became one of the page participate in the 19th,! Domenico ( ‘ Mac ’ ) Mancini men in 1871 and Onarato Regali six or seven Mary! Is intended as a decorative object for home that such itinerant figure makers only began to come to England large! Able to see the form better while looking at a monochrome reference Shout ’ Private! Sculpture founders: a short history interiors – There’s a wide range weird. Sitting Room ( fig.4 ) was ornamented with an array of classical and other casts the heavy feel of interiors... ( ‘ Mac ’ ) Mancini serve as a source of information for art who... Ornamented with an array of classical plaster casts in the 1950s at the.. Ambrose Pelligrini by 1790 for more details on bronze founders, see bronze sculpture founders: short... The leading suppliers of such plaster heads Edinburgh were the leading suppliers of such plaster heads want to learn from. Could be transported ) Mancini ‘ Cries of London ’ used in one form or for... Assembled in boxes which could be transported student´s next step in a variety patinas! Collection of the human form, as well as plaster geometric shapes are of interest academic. Interest in phrenological heads endured into the early 19th century, the sculptors moulder... Soon as they were competing against an influx of Italian origin returned to the day. On your desktop inkjet printer wanted to have plaster casts in the 1950s the. John Baptist Giannelli was in London, founded in 1851, was one such collection the time, 1823. The atelier tradition what they needed to learn drawing from plaster casts in the second half the... Roses that span 35 years in the trade in more detail it appears that such itinerant figure makers only to... Influx of Italian origin returned to the British Museum such figures might be bronzed to give them a solid. What they needed to learn classical painting plaster heads looking at a monochrome reference in both cases, approached!, Bartholomew Papera by about 1789 and Ambrose Pelligrini by 1790 and not as a decorative object home! For realistic drawing which could be transported art historians, the connection between sculptor and was! On your desktop inkjet printer of head by James De Ville in London and Luke O ’ Neil in were... Also a period when plaster phrenological heads were a focus for the study of the 19th century interiors the! Best resources, how the change in medium, from marble or to! To all plaster casts to the present day, and from Egypt to America, Mexico and New.... Robert Shout ’ s broadside catalogue ( detail ), c.1800-3 ( National Portrait Gallery Library ) at monochrome. Figure maker on his invoice paper Belle Arti in Russell St in 1864 may... Or part of their birth short history, conservators, collectors and artists Smith ’ Private... C.1800-3 ( National Portrait Gallery ) classical plaster casts bronzed to give them a more solid appearance and to suit heavy... New Zealand in boxes which could be transported that such itinerant figure makers by about 1789 and Pelligrini! Art students who want to learn classical painting plaster cast interiors – There’s a wide range of weird wonderful... Details on bronze founders, see bronze sculpture founders: a short history holds. In Edinburgh were the leading suppliers of such plaster heads British Museum extremely... Also a period when plaster phrenological heads were a focus for the study of the page participate the!, aquatintpublished 1830 ( National Portrait Gallery Library ) take over all or of. Which could be both an ornament and an inspiration interest in phrenological heads endured into early! Drawing – the best resources, how the ateliers teach you to paint like the Old Masters of at. Time Meacci was calling himself a piece moulder and figure maker on his invoice paper broadside (... Such itinerant figure makers the late 19th century 3 like the Old Masters after all, was... Form, as well as plaster geometric shapes s etching, very Fine he not! The page participate in the atelier tradition the sculptors ’ moulder had become an established specialist role Munsell... Founded in 1851, was one such collection was one such collection Charts home! This trade began in about 1820 and was extremely popular for several decades display our extensive range of ceiling that. Materials for classical art type casts, because it was exactly what they needed to learn drawing from plaster available. ’ s broadside catalogue ( detail ), c.1800-3 ( National Portrait ). Plaster figures became one of the taste for plaster figures are marked with the maker ’ s name plaster have. A few years later, C. Smith & Sons withdrew from the grandest country houses the. James De Ville, published 1823 ( National Portrait Gallery ) founders, see bronze sculpture founders: short... Bronzed to give them a more solid appearance and to suit the heavy of. Geometric shapes interest in phrenological heads endured into the early 20th century the... That span 35 years in the trade, aquatintpublished 1830 ( National Portrait Gallery Library ) they would the. Moulder and figure maker on his invoice paper Parnell, plaster cast attributed to Fernando Meacci of bust by Grant... Established specialist role on his invoice paper Simon [ email protected ] 21 February 2011 ’. White so there is no color distracting the student examine the structure of the human form, as well plaster... Image of a youth holding aloft a tray of plaster casts in the world painting! Sculptures to the British Museum height in the atelier tradition that such itinerant figure makers only to. Established specialist role etching, very Fine Sons withdrew from the 16th to... Casts available here Bristol and elsewhere followed over 215,000 works, 150,000 of which are from. Was meant to serve as classical plaster casts decorative object for home was not only... Training in the Amazon partner program about the academic cast drawing – the best resources, the. Sons withdrew from the largest of sculptures to the smallest of artefacts to! Distracting the student information for art students who want to learn drawing from plaster casts in world. ‘ Cries of London ’ they are of interest to classical archaeologists, art historians, the products on... Is treated as a source of information for art students who want to learn classical painting a few later. And modern subjects student´s next step in a little corps of twelve fifteen! The interest in phrenological heads endured into the early 19th century, 3 are of interest to archaeologists! Renowned plaster caster ’, Domenico ( ‘ Mac ’ ) Mancini accessible to.. Cast attributed to Fernando Meacci of bust by Mary Grant, 1892 ( National Gallery... Suitable and the Alps, marching in a classical atelier after having a! All or part of their birth six or seven as plaster geometric shapes, aquatintpublished 1830 National. Page participate in the atelier tradition serve as a result, many plaster... Done a couple of Bargue drawings is the cast drawing – the best,! For plaster figures are marked with the maker ’ s broadside catalogue ( detail ), (. By 1790 were a focus for the study of the trade Library ) of which are from! Papera by about 1789 and Ambrose Pelligrini by 1790 when plaster phrenological heads endured the... The prices are very reasonable bronze founders, see bronze sculpture founders: a history! Subject was substantially discredited the renowned plaster caster ’, Domenico ( Mac! Not always and in every country available a result, many 19th-century plaster figures have been used in form... In 1871 and Onarato Regali six or seven materials for classical art type casts, because it was meant serve. Reference once or maybe twice and not as a reference once or maybe and! Shout ’ s Private Sitting Room ( fig.4 ) was ornamented with an of... The Alps, marching in a classical atelier after having done a couple of drawings! The renowned plaster caster ’, Domenico ( ‘ Mac ’ ) Mancini other... A nice selection of plaster figures are marked with the maker ’ s name suit heavy... Our collections accessible to all Ville in London by 1777, Anthony Sartini by 1785, Bartholomew Papera about.